Archive for the ‘books’ Category
I’m writing this from the Association for Slavic, East European and Eurasian Studies annual convention where three years ago I travelled just after sending out acceptances and rejections for chapters people had proposed for a volume I was editing on Gender in 20th Century Eastern Europe and the USSR, last year I chaired a panel with several of the contributors meeting for the first time to present research from their chapters, and this year some more of us will be meeting just as the book is published in hardback and paperback on 18 November – so yes, there is still time to use it for your spring-semester classes.
Historians and other scholars of gender in Eastern Europe and the Soviet Union in the 20th Century, especially during the state socialist period, already have several excellent edited volumes at their disposal, where scholars specialising in many different countries have been able to combine their own specialisms into saying something wider-reaching about simultaneously one of the most intimate and one of the most public topics in politics and history.
Ours is a volume that emerged at a time when historians of state socialist Europe have been striving to put the region’s connections with the rest of the globe, not just the West, into the centre of analysis; when questions about women’s agency and activism under state socialism are live controversies; when research on gay, lesbian, bisexual and transgender pasts and presents is both expanding and embattled; when ways to think about gender in its intersections with other kinds of oppression are ever more accessible and ever more necessary; when narratives of inevitable progress in social equality or political freedom looked ever more shaky even before the US election campaign that overshadowed our volume’s run-up to publication.
It would also be published in a series where most works are on Western Europe and North America and where the task of showing the complexity of the region(s) we study, balancing the similarities of their historical experience with pan-European and global lenses that show them to be much more than a marginal periphery, was both an opportunity and a responsibility.
The 88 abstracts I received when I invited chapter proposals in autumn 2013 covered East Germany to Kyrgyzstan, the turn of the 19th and 20th centuries to the present day. Selecting the chapters was as close as I’ve ever come to a three-dimensional jigsaw: the volume needed balanced coverage across the century, without over-representing any one country; I can’t have all my interwar chapters based on Poland (let’s say) and all my state socialist ones based on Czechoslovakia; if I take this innovative chapter proposal here, I’m going to have to turn down that one elsewhere; my own research is on the Yugoslav region, so I’ve got more proposals about there than anywhere else, and I’m going to have to turn more of them down; and why did everyone have to publish their ground-breaking work on that topic last year?
And then a law criminalising the ‘promotion of non-traditional sexual relations to minors’ went through the Russian Duma.
Three years later, we have a volume of fourteen chapters which will offer specialists exciting new research by emerging and established scholars, and teachers of European /20th-century gender history ways to incorporate Eastern Europe and the USSR into their syllabus.
Gender in 20th Century Eastern Europe and the USSR has a ‘long’ 20th century, beginning in late Habsburg Bohemia with Cynthia Paces‘s chapter on ‘Czech Motherhood and Fin-de-Siècle Visual Culture’. Throughout the book, I’ve tried to balance excitingly new research topics with original approaches to themes which have been at the core of gender history since it started being written. Cynthia’s chapter on Czech materialist nationalism is a great example of the latter, and points to comparisons with imperial and anti-colonial feminisms at the same time which I hope others will be more able to take further because of the suggestions here.
The next chapter, Olga Dimitrijevic‘s ‘British-Yugoslav Lesbian Networks During and After the Great War’, draws together two separate lesbian history-making projects to reveal a connection that I’d simply never heard about before I read Olga’s abstract: the relationships between Scottish Women’s Hospitals volunteers who travelled to Serbia in WW1 and women on the Yugoslav avant-garde art scene, particularly the painter Nasta Rojc. Olga had discovered the SWH connection while researching Rojc for the first volume on Serbian and Yugoslav gay and lesbian history, and retraces a link that eluded even the lesbian British historians who have written the queer relationships and gender non-conforming performances of SWH volunteers into Britain’s lesbian past.
What excited me on reading the proposal for Jo Laycock and Jeremy Johnson‘s chapter on ‘Creating “New Soviet Women” in Armenia? Gender and Tradition in the Early Soviet South Caucasus’, meanwhile, wasn’t just how it could extend the scope of the volume beyond a metropolitan-Russia-centric view of Soviet gender history but also how much its questions about constructing ‘ethnicity’ and ‘tradition’ resonated with themes in the study of south-east Europe. If today’s ‘area studies’ often keep the Balkans and the Caucasus apart, a view from the late 19th century Ottoman Empire – or from 21st-century historians trying to reassess the late Ottoman period on its own terms – would see them as much more part of the same region – a lens it’s become much easier to see through since working with Jo and Jeremy.
The tensions between similarity and contrast that run throughout the volume are encapsulated by Jenny Kaminer‘s ‘Mothers of a New World: Maternity and Culture in the Soviet Period’, which returns to the theme of motherhood first explored in Cynthia Paces’s chapter on Bohemia, but in the context of the radical transformations the Bolsheviks sought to achieve in Soviet private and public life, and through the changing priorities of Stalin, Khrushchev and the late Soviet leaders. Jenny uses popular literature to illustrate how the roles of ideal Soviet mothers were imagined at all these moments, suggesting limits to how far historians can generalise about gender policy even in one country, let alone the whole region.
Katherine Jolluck‘s ‘Life and Fate: Race, Nationality, Class, and Gender in Wartime Poland’ takes on the harrowing, necessary task of explaining how gender, as well as race, ethnicity, nationality and class, determined the experiences of Poles and Jews exposed to both Nazi and Soviet persecution between 1939 and 1945. As the allusion to Vasily Grossman’s novel of WW2 in Katherine’s title suggests, this is an unflinching chapter, without which our account of the 20th century would simply not be complete.
Another chapter on the Second World War, Kerstin Bischl‘s ‘Female Red Army Soldiers in World War II and Beyond’, covers a topic which both in historical research and in Russian society has been a subject of growing interest since the end of the Cold War. Beyond the stories of individual war heroes such as the sniper Lyudmila Pavlichenko or the famous ‘Night Witches’ fighter pilots, Bischl shows how the stories Russian women have been able to tell and have heard about their service have themselves changed within shifting Soviet and post-Soviet memory politics.
The last chapter on the interwar/WW2 period (though not limited to that), Erica Fraser‘s ‘Soviet Masculinities and Revolution’, exemplifies one of the objectives I had for the volume from the very beginning – to create ever more dialogue between studies of gender in this region and elsewhere. Using the concept of ‘revolutionary masculinities’, well-known in Latin American studies of Cuba and other revolutions in the 20th century, and studies of how the French revolutionary regime thought of itself as a ‘band of brothers’, Erica reassesses how later Soviet authorities as well as the Bolsheviks imagined leadership and revolution. I couldn’t have framed my own introduction to the volume in the same way without this chapter, and its approach informed me as an editor as I encouraged authors to bring out latent transnational comparisons and contrasts in their own work.
The volume then turns to state socialist rule in Eastern Europe, beginning with a chapter on ‘Gender and Youth Work Actions in Post-War Yugoslavia’ by Ivan Simic – whose first paper on Yugoslav Communist adaptations of Soviet gender ideology I’d had the pleasure of hearing earlier in 2013, without having any idea it was actually his first. Yugoslavia would emphatically develop its own interpretation of Communism after 1948, when Stalin ejected it from the Soviet bloc; in 1945-8, the period at the centre of Ivan’s chapter, it was perhaps the most enthusiastically Stalinist of all Eastern European Communist regimes, and the chapter both traces how Yugoslav Communists made sense of Soviet policies and picks up what are now recurring themes of health, youth, modernity and the body.
Judit Takács, in her chapter on ‘Listing Homosexuals since the 1920s and under State Socialism in Hungary’, uses her discovery of an astonishing document in the Hungarian national archives – a list of suspected homosexuals, attached to government correspondence during the Second World War about subjecting minorities to forced labour – to point to continuities between, on the face of it, three very different political systems in Hungary: the late Habsburg period, the authoritarian ‘Regency’ regime which went on to collaborate with the Third Reich, the even more brutal Arrow Cross regime of 1944-5, and state socialism. Police practices of surveilling, listing and blackmailing gay men, Judit suggests, did not differ appreciably from regime to regime, and some are even likely to have persisted after the decriminalisation of sodomy in 1961 – an argument that complicates any neat division of 20th century history into periods based solely on political regimes.
The most everyday, domestic, intimate aspects of life under state socialism – which reveal how far Communist regimes sought to reach into their subjects’ private life – are the subject of Maria Bucur‘s ‘Everyday: Intimate Politics under Communism in Romania’. Drawing first on her own experiences growing up in Communist Romania, then on a large oral history project she has been conducting for some time with Romanian women, Maria shows how oral history and the ‘Alltagsgeschichte’ (everyday history) approach can illustrate the workings of Communist power and the ways that individuals tried to navigate endemic scarcity and hold on to private space. One of Maria’s own volumes on east European gender history, co-edited with Nancy Wingfield (Gender and War in Twentieth Century Eastern Europe), was a key work for me in thinking about how I wanted to frame this collection, and I’m delighted that she suggested this chapter for ours, which is a product of intergenerational as well as international exchange.
The run-up to the collapse of state socialism in Eastern Europe figures in this book through Anna Muller‘s chapter on ‘Masculinity and Dissidence in Eastern Europe in the 1980s’, which uses the writings and letters of male Polish political prisoners in particular to offer new insights into the dissident masculinities of late state socialism and even, bearing in mind the careers of many ex-dissidents after 1989, to draw connections between the ideas about gender formed in opposition movements during the 1980s and the impact on gender relations that postsocialist politics would have. The transnational history of imprisonment is another emerging area in modern history, and reading this chapter made me think for instance of studies of masculinity and imprisonment in Northern Ireland; here as elsewhere in the volume, fresh connections between Eastern Europe and other regions start emerging all the time.
By asking ‘What is Political in Post-Yugoslav Feminist Activism?’, meanwhile, Adriana Zaharijevic both gives an overview of how the collapse of Yugoslav state socialism, the impact of ethnopolitical violence in Croatia and Bosnia, and the effects of more recent global financial crises affected women’s movements in the Yugoslav region, and makes a suggestion that earlier volumes like this simply could not have made because less time has passed: the postsocialist period, which scholars in east European studies have been so used to debating as the present, might already be over. Whatever might follow it – Adriana suggests the present period might be defined by the political logic of neoliberalism – today’s movements would be well advised not to lose sight of the radical insights of their predecessors just because the state and big financial donors might be better predisposed towards women’s movements than they used to be.
Maria Adamson and Erika Kispeter, writing on ‘Gender and Professional Work in Russia and Hungary’, adapt the comparative methodology of a well-known work in east European gender studies, Éva Fodor’s study of women and the workplace in Hungary and Austria, to directly address the problem of how far conclusions based on evidence from the USSR can automatically be extrapolated to Eastern Europe. Behind the state socialist ideal that posts in professions such as law and medicine should be equally open to women and men, Adamson and Kispeter find divergent experiences across the national borders and even changes of policy and practice within them, suggesting what level of depth is necessary for solid comparative work.
My own last chapter for the volume, ‘Transnational “LGBT” Politics after the Cold War and Implications for Gender History’, covers a set of political and social struggles which took further turns even as we were compiling the volume, with foreign responses to state homophobia/biphobia/transphobia in Russia often highlighting the kind of simplistic West/East divisions that east European scholars of sexuality, such as Robert Kulpa and Joanna Mizielinska, had already been criticising – just as global queer studies has often done from postcolonial perspectives. Centering struggles for trans recognition and health care as well as struggles for sexual rights in this post-Cold War period brings into view a question that historians of gender non-conformity before the 1990s would also do well to consider: how do historians know the gender of their historical subjects, and how do we do justice to the constructions of gender and sexuality that were present in subjects’ own place and time while accounting for the presence throughout history of people who today might be called trans?
I feel confident in saying that no previous volume on east European gender history has integrated sexual diversity and gender non-conformity with the breadth of this one: rather than just having ‘the LGBT chapter’, queer ways of being appear in multiple ways across the century, as of course they have. We could have had even more. As well as regretting the many excellent proposals I had to turn down because they were harder to balance into a table of contents or closely matched a proposal I knew I needed to include because of another innovation it had made, the field of east European and post/Soviet gender studies has developed even further since the end of the 2000s that I’ve heard so many excellent presentations at ASEEES and other conferences and thought ‘If only they’d done this research a couple of years earlier it could have been perfect for the volume’. If I were planning the volume now, there are more themes I’d want to seek out somebody to cover – in particular, I wish now the volume had had a chapter on race and the ‘global Cold War’, and there’s a much wider range of people working on this than there used to be.
In the meantime, I hope everything this volume does achieve will inspire historians of gender inside and outside the region to ask some new questions; to carry on connecting Eastern Europe and the ex-USSR with how their colleagues study gender around the rest of the globe; and to suggest how knowledge and theory about gender relations grounded in evidence from the region can also inform studies and understandings of gender politics elsewhere.
I’m supposed to write one of these a year and this time have actually done it – here are the various new things I published in 2015…
- First of all, The Yugoslav Wars of the 1990s – an introductory text (in Palgrave Macmillan’s ‘Studies in European History’ series) that actively involves the reader in thinking through what’s at stake in how historians, lawyers, or anyone else – including the reader themselves – interprets the wars and the break-up of Yugoslavia. I’ve written about the objectives behind the book here, here and here.
- I coordinated a special issue of Contemporary Southeastern Europe on the Eurovision Song Contest, and published an introduction to the issue on ‘Gender and geopolitics in the Eurovision Song Contest’ which revisited my earlier work on the politics of Eurovision in south-east Europe.
- My article on historical narratives of national identity in the London 2012 Olympics opening ceremony appeared in print in Rethinking History this year (also available here).
- I wrote an article on emotional discourses that link home region and nation in Yugoslav and post-Yugoslav popular music (also available here) for a special issue of Southeastern Europe on ‘Music, affect and memory politics in post-Yugoslav space’ edited by Ana Hofman.
- I wrote an article on the uses and problems of sound in teaching about music and politics for Radical History Review.
- My book chapter on how far oral historians could or should try to ‘deconstruct’ ethnicity in interviewing about post-conflict Bosnia-Herzegovina appeared in Steven High’s volume Beyond Testimony and Trauma: Oral History in the Aftermath of Mass Violence (Vancouver: UBC Press).
- My book chapter on the language politics of peacebuilding appeared in Linda Cardinal and Selma K Sonntag’s volume State Traditions and Language Regimes (Montreal: McGill-Queen’s University Press) (also available here).
Next on their way in 2016 or soon after – print publication of an article on the reuse of ‘found footage’ and built environments from the Yugoslav wars in a Hollywood adaptation of Coriolanus which will be appearing in International Feminist Journal of Politics (which has already published it online) – something else I want to extend in future; hopefully the volume on Gender in 20th-Century Eastern Europe and the USSR (including my introduction, and a chapter of mine giving an overview of transnational LGBT politics in the region(s) after the Cold War), depending on how long it takes to go through review and typesetting; a short piece on writing about militarism and embodiment as a form of translation, developed out of part of a talk I gave at the International Studies Association conference this year; and maybe other work that’s still under review…
After a little bit more than two years of preparation, my introduction to The Yugoslav Wars of the 1990s is about to be available (at least in Europe, where it’s being published on 7 August; North America has a publication date of 21 August) – much more quickly than I’d originally expected when I submitted the manuscript in December 2014, but Palgrave were keen to make it available in time for the new academic year and with hard work from their editors and typesetters that’s what’s happened.
I’ve written before on this blog about how I went about planning the book and what it contains, but now readers are about to be able to use it for themselves I ought to say something about what I hope the book will make it possible for people to do.
It might be counter-intuitive in an introductory text, but for me the most important rationale of writing the book has been: make it a book that encourages people to read more books. I really hope this won’t be the one and only thing somebody reads – and I hope I’ve conveyed the importance of following up books that sound as if you’ll disagree with them, as well as books that sound as if they’ll confirm your point of view or your way of looking at the past.
That said, there are people for whom it might be the first book on the Yugoslav wars that they read, or for whom it’ll be the first one with academic authority that they turn to in order to fill in the context behind what they’ve heard about the wars through news, entertainment or travel. This is a huge responsibility, but it’s the same one that I face multiple times a year along with anyone else who finds themselves structuring a course of learning: defining a subject of knowledge (what is there to be known about? what is and isn’t relevant?), ordering that into a coherent structure so that readers or learners are progressing through something, and doing that in such a way that they’re able to articulate their concepts of the topic and what kinds of questions they can ask about it. Only this time, it’s scaled up.
There’s also the question of who the hell am I to write this book – someone whose own specialist research has been on potentially tangential aspects of the wars and their aftermath (like national identity in popular music, or the international politics of the Eurovision Song Contest, or how peacekeeping forces get their translation and interpreting done). My research monographs haven’t been on questions of hard political and military fact that have to be established in determining individual guilt and responsibility, and I’m still earlier in my career than many of the people whose books are in the bibliography. (Yet I’ve been able to have the confidence that this book came about because the series asked me if I either knew anyone who could write the book or could do it myself, and I’d spent too long (ever since my first academic year of teaching in 2007-8) thinking about ‘what I’d want an intro text on the Yugoslav wars to do that no available book actually did’ to pass up the opportunity to try and tailor one to all the potential kinds of users that I was aware of.
And in a way, maybe it’s a strength of the book that it isn’t written from a position where the author takes ultimate academic authority about all aspects of the topic on themselves (even though the book still has to have the authority of organising this knowledge, which is a profound form of power to be exercising). I’m at the start of my career, not the end; I can’t take that position anyway. On most topics I need to cover, the experts are someone else more than me; I’m actively participating in taking research in south-east European studies forward (so I’ve been able to write the book with a feel for what’s happening in the subject area right now), but so are most of the people who are cited in the 400+ entries of the bibliography. And moreover, I don’t want a reader’s answer to ‘How do I know this?’ to just be ‘Because she said so.’
(Even if that’s still a novelty compared to ‘Because he said so.’ There are 35 other books in this series listed on the inside front cover of Yugoslav Wars, including people whose books were set texts for me when I was studying (Jeremy Black, William Doyle) or whose modules I took (David Stevenson), and apart from Karin Friedrich and Mary Fulbrook the authors of all the other books are male. It’s an eminent and almost disconcerting set of names to look at, especially when your surname is Baker and until the series commissions a book by someone whose name begins with A you’re going to be alphabetically top of the list – directly above Black, T C W Blanning, John Breuilly and Peter Burke, to make the list of contributors even more dizzying.)
But then, the most difficult parts of the book have been where I need to steer the reader towards evidence about what can be stated as fact – for instance, the horrific forensic evidence from mass graves around Srebrenica, as painstakingly collected since 1996 by the International Commission on Missing Persons (and despite the efforts there have been to interfere with their work by trying to argue down the number of casualties or even disturbing the graves). There’s an awful lot of misinformation around: being able to understand how narratives and interpretations are made to compete with each other is one thing, but will the reader be better equipped to see through deliberate attempts to mislead after they’ve read this book?
And another strength of the book is maybe that, of course, I don’t think the topics I’ve researched are marginal to understanding the Yugoslav wars at all – or rather, that I’ve been able to demonstrate they all have something to say about the much wider question of what is relevant to know about war, conflict and identity. Understanding how musicians, journalists and the public dealt with issues of national identity in popular music helps to show how far the struggles to redefine Croatian national identity during and after the Yugoslav wars reached into everyday life as well as the more obvious communicative sites of political speechmaking and the news. Suggesting why the national broadcaster of newly-independent Croatia was so intent on participating in the Eurovision Song Contest can help in understanding how people actually apply and create discourses of national and European identity and how these might have been transforming after the Cold War. Emphasising how dependent peacekeeping forces were on locally-recruited language intermediaries and how interpreters negotiated the aftermaths of war and the collapse of Yugoslav socialism reveals power relationships in wartime and post-conflict society that had been taken for granted even in earlier peacekeeping research.
So the book has a chapter on ‘Culture and Languages During and After the Wars’ not just because rounding up the key debates on this topic automatically makes the book more useful in languages and literature departments (it does, though!) but because my position as a researcher has always been we can’t understand the full reach of the wartime politics of nationalism without going into these areas. There’s a chapter on ‘The Past on Trial’ not just so that the book might appeal more to scholars who are planning a comparative research project on transitional justice and need a quick introduction to the Yugoslav Wars (although that’s still a need I hope it meets), but because as someone who wants to understand the political lives of narratives, I can see (along with the historians whose very recent publications on the ICTY made this chapter possible) the contested findings and processes of the ICTY and national courts raise profound questions about the production of historical knowledge itself.
I could fall back here on many historians (in social history, cultural history, gender history, global history…) who have striven to take the study of war beyond the battlefield and the negotiating table, or (to take one very recent statement of a position like this) on Christine Sylvester’s position in War and Experience that ‘war should be studied as a social institution’, the kind of thing that ’emerge[s] over time and dominate[s] alternative ways of living to such a degree that they seem normal and natural, or at least unavoidable’ (p.4): to paraphrase Sylvester’s list, it’s the myths and the narratives and the peacetime practices and the weapons research and the religious teachings and the popular cultural representations, as well as the troop movements and the consequences of combat. All this would be part of a whole layer of texts that space prevented me fitting into the introduction yet that have shaped how I wanted to approach writing the book – in other words, works that have shaped my understanding of what things are worth knowing about war.
Nevertheless, the book has limitations, beyond the ones that I can re-cast as perverse strengths, such as the restricted word count – books in the series have a limit of 50,000 words, but then knowing I wouldn’t be able give an exhaustive account of any single aspect of the conflicts was counter-intuitively what made it feasible for me to think about writing it at all. I can’t cover the minutiae of any of the many disputes in the literature that there have been; the best I can do on that score is try to indicate where works have been in direct conflict with each other.
In order to make the word count, I also cut back the long-term historical background by almost a half at a late stage, and compressed the complexity of a lot of my discussion of interpretations of the past before 1918, so that the rest of the chapters would fit. So there’s exciting new work on, for instance, nationalism, ethnicity, language and religion in the late Ottoman/late Habsburg period; or the politics of the first Yugoslav state between the World Wars; or on the history of socialist Yugoslav feminism and its implications for understanding women’s movements worldwide; that the reader isn’t going to get to hear about or where I haven’t been able to let the writing slow down and ask the reader to think about what these historians might be trying to do.
No doubt it’s also going to dissatisfy specialists in other ways. Almost every sentence of the book relates to something that there are whole books about; I’ve had to condense arguments and pick out details while striking a balance between what existing publications have collectively constructed as important and what I can add in order to suggest how frameworks for understanding the wars could still expand. None of this is innocent or value-free work. I go back, again, to David Campbell’s 1998 review article ‘MetaBosnia‘, which compared how many of 32 events between 1990 and 1992 a number of published books on the Bosnian conflict had mentioned or left out. (And those 32 events were themselves the active selection of an author, of course.) Campbell suggested the deepest understanding of the past would have to come from reading multiple accounts, and I tend to agree even though it’s always possible to say (within the framework of the political and intellectual standards anyone has acquired) that some accounts are more comprehensive or rigorous than others. Nevertheless, part of understanding the past is seeing how disagreement about interpreting it works, and one has to look at multiple accounts in order to be able to do that.
There’s a politics of knowledge behind everything I choose to mention or omit – when I say to myself ‘that has to be in there’ because the account would be incomprehensible without it, or it would simply feel unethical (except that ethics aren’t ‘simple’) to leave it out; when I say to myself ‘put this in because most accounts wouldn’t think to mention it and it will help to make this my book’; when I choose to take one recent publication as a worked example of how researchers try to create new historical interpretations from fresh evidence, rather than another; when I don’t even view something as relevant enough to add it to my notes at planning stage, or when I reluctantly decide one week from deadline that it’s just going to have to go. I’ve at least tried to be transparent about where and how I have simplified – though I could drill down into almost every sentence and show that something more ought to be there.
The limitation I’m most conscious of, and where I still don’t think I’ve done a good enough job, comes from the politics of translation that have structured what work I was able to cite for an anglophone reader. If the reader can only be expected to have access to sources written in English, there are too many occasions where I could only cite an article or book chapter by someone whose book-length research published in Bosnian/Croatian/Serbian has been agenda-setting, and one or two occasions where the citation I needed wasn’t available in English translation yet at all. This isn’t good enough. In future I need to see what I can do to help make more research from the post-Yugoslav region available in translation – I’ve brought this up as a problem for years when writing book reviews, but maybe I’m getting to be in a structural position where I could help change that. I didn’t centre the untranslated work enough in this one, and I think I got it wrong.
All that said, it still offers something that other books don’t – beyond, hopefully, what comes simply from having been written now, rather than in the late 1990s or immediately after the Kosovo War. (Although there is that too.) It shows how the contestation involved in historical research and representation is woven together with the very act of trying to be able to say something of what happened in the past; and using an authorial voice which is sometimes openly uncertain with the reader about how best to approach something still feels relatively unusual for an intro text, which I think is something distinctive about the book as well. For instance, how radically can or should one try to ‘deconstruct’ the idea of ethnicity or ‘denationalise’ history when people who have been persecuted as ethnic subjects demand to be recognised on that same basis? I don’t think it has a simple answer – indeed in different publications I’ve gone about it different ways myself – and the book certainly hasn’t found one, but I hope it’s something that the reader will be able to close the book and think about.
This ought to be leading up to a promotional message of ‘read the book’. But what I want to say is: read the book, and then read other books, and do things with the book, and recognise where limits of the book are (both the ones I’ve told you about and the ones that I was still too close to it to see). Don’t let me have the final word for you.
All right. Now read the book.
Since 2013 I’ve been working on a new kind of book project for me: an introductory text on the Yugoslav wars of the 1990s, which I spent most of 2014 working on intensively and which is now due for publication later this year. (Indeed, it’s close enough that the publishers have been showing me options for the cover design; I’m happy with the one we’ve chosen, and am hoping it’ll be going public very soon.)
The Yugoslav Wars of the 1990s will be very different to my previous two books (a research monograph on popular music and struggles over national identity in post-Yugoslav Croatia, and a co-authored monograph on translation/interpreting and peacekeeping during and after the war in Bosnia-Herzegovina). Firstly, it’ll be going straight into paperback, meaning there’s a good chance more of its potential readers will actually read it.
Secondly, it puts me in a very different relationship to its subject matter; Sounds of the Borderland and Interpreting the Peace were both the result of multi-year research projects after which I was the only person (or with Interpreting the Peace part of the only team) to have been able to write those books that way. With this book, on the other hand, several dozen scholars would have the subject knowledge to be able to write a book fitting the general remit I had when I began the project: a 50,000-word book aimed at a reader who is new to the topic and which fits into a series that puts ‘a strong emphasis on the different perspectives from which familiar events can be seen’.
(And it’s the right time to be doing a book like this; despite the volume of new research that continues to be published about the wars and their consequences, it’s still hard to find an up-to-date book to recommend to a reader who is new to the subject that will help to open up all the other books for them.)
Why should I do this, then, rather than anyone else?
In a post last year I talked about some of the micro-level decisions I was having to make while I was writing the book – choices, for instance, about organising events into a narrative, imposing an order on events by breaking them up into chapters and periods, making sure the reader can understand what’s at stake in essentialist or anti-essentialist representations of nationalism and ethnicity, and trying to make visible what truth claims are based on. I hope some of those thought processes will still be visible in the text (I wish I could have worked meta-commentary on my own narrativisation into the book in a much more structured way, but just didn’t have the word count to do it).
I set myself three objectives at the beginning of the writing process, which I think I have fulfilled – though ultimately the people who read and (I hope) use the book will be the judges of that.
First of all, I wanted it to help the reader understand research that is happening right now. The last few years have seen a new wave of archival studies about the core history of the wars, such as Josip Glaurdić’s The Hour of Europe: Western Powers and the Breakup of Yugoslavia or Robert Donia’s new biography of Radovan Karadžić, but also research that has been trying to expand the angles from which historians and other scholars might look at the wars (such as Bojan Bilić and Vesna Janković’s important edited volume, Resisting the Evil: (Post-)Yugoslav Anti-War Contention), not to mention work that takes a position on the longer-term human consequences of the wars and the collapse of Yugoslav socialism (for instance, Damir Arsenijević’s edited volume Unbribable Bosnia and Herzegovina: the Fight for the Commons, which was published earlier this year in response to the Bosnian ‘plenum’ protests of 2014).
Another objective was for the writing to show the reader how scholars make interventions into fields of knowledge, by giving some examples of how authors have set out to reinterpret or reassess elements of the histories of the wars. And a third – which perhaps can’t be entirely disentangled from the second – is to make explicit to the reader that their own beliefs and values are going to form part of how they (or the authors of any of the books in the bibliography, or me) go about interpreting and evaluating the events.
The book has eight chapters, beginning with a chapter on the long-term historical background to the wars, then chapters that cover the ‘1980s crisis’ in Yugoslavia; the independence of Slovenia and Croatia; the war in Bosnia-Herzegovina; and the Kosovo War plus its implications for Serbia, Montenegro and Macedonia as well as Kosovo. (Already that’s slipping the boundaries of the 1990s – but then I’m a ‘lecturer in 20th century history’ whose research regularly ends up going into the 2010s…)
The last chapters (which are also informed by the teaching and research I’ve done in different disciplines) introduce ways in which the consequences of the conflicts have been researched and show how these research questions can feed back into understanding the 1990s: from debates over peacebuilding and reconciliation, through the prosecution of war crimes (an activity which has itself helped to shape historical knowledge about the recent past), into the cultural and linguistic legacies of the wars.
The long-term chapter was almost the most challenging part of the book to write, and the one that’s changed most dramatically since the first draft of the text (where it was twice as long, and much more detailed bibliographically – but when the full draft of the book started pushing 75,000 words in September, I had to accept that the first chapter couldn’t stay that way without pushing out another chapter later on).
I say ‘almost’ the most challenging part of the book because the most difficult – appropriately, perhaps – was the conclusion. Within 1,500 or so words – because the book length in this series just wouldn’t give me any space for war – I had both to sum up an account of the conflicts that I found most convincing and to show the reader the approach to historical narrative that the book had taken.
At times I wasn’t sure if I’d even improved on David Campbell’s classic review article ‘MetaBosnia‘ from 1998, which compared how ten works written in the mid-1990s had presented 32 political events that took place between 1990 and 1992 in Bosnia-Herzegovina; I hadn’t even been able to get into Campbell’s level of detail, or the level of detail that (with quite a different philosophy of knowledge) Sabrina Ramet was able to employ in her 2005 book about academic interpretations of the wars.
Moreover, as someone who aims to deconstruct notions of collective identity and narratives based on them, I need – like every other scholar in this area – to balance that against the responsibility of writing about real lives and deaths.
Ultimately, this needs to be a book which equips the reader to read more books, rather than being the first and last thing that anyone should read. This is not supposed to be even close to the final word on the Yugoslav wars, and indeed the format of the series precludes it from being that – which is one of the reasons I felt comfortable taking up the opportunity to write it at all. (It could however help open up discussion on how we teach, and how we might teach, the history of the wars from the point of view of two decades later – something that there’s a lot more scope to think about than I could cover here.) Mainly, it’s the book I’ve wanted to recommend as a starting point but which didn’t previously exist – which is usually a good reason to write anything…
The Easter break from teaching gives me an opportunity to take stock of how I’m doing with my next book project – a very brief introductory text to the Yugoslav wars of the 1990s, which all being well should be available from one of the UK academic publishers in 2015 or 2016.
It’s aimed at students in history and social sciences who need an introductory survey of ways in which scholars have interpreted the wars, in order to prepare them for the further reading that they’re going to do (whether the course is about the wars/Yugoslavia/south/east Europe specifically, or whether the Yugoslav wars are one case study within a broader module); it’s also targeting researchers in fields such as peacebuilding and transitional justice who might be moving into a post-Yugoslav case study for the first time; and, hopefully, some of the general public. (I’m glad to say that books in this series go straight into paperback.)
There are one or two books with this kind of scope already, but nothing published in the last ten years, and I’ve always struggled to find one intro text for students that does everything I’d like it to (Laura Silber and Allan Little’s The Death of Yugoslavia, for instance, is a classic, if longer than a purpose-written intro text would be, but it appeared in 1996 and obviously doesn’t integrate the Kosovo War). Events from the past 10-15 years need integrating into the narrative, and so many new directions have emerged in the research that a good new intro text needs to be able to point readers to what’s been going on.
This is a very different kind of undertaking from the detailed research monographs I’ve written and co-written before. For one thing, books in the series are only 50,000 words (a figure that will no doubt be appearing in my dreams by midsummer), whereas my book on popular music and nationalism in Croatia was 100,000 and the book on languages and peace operations in Bosnia-Herzegovina that I co-wrote was 80,000 or so. (I’ve started thinking of this text as ‘the minibook’, in order to soften the blow when I need to take oh god I don’t even want to think about how many bits out…)
On the other hand, the teaching trajectory that I’ve had means that I’ve been planning this book for years without knowing it. Almost every year I’ve had to work out how to present the Yugoslav wars to different sets of learners, at various levels, within different kinds of module structures. What have first-year historians who are exploring the Yugoslav wars as a case study of a historical controversy struggled with? What would help social sciences postgraduates specialising in nationalism in eastern Europe? When I’ve had one or two weeks on the Yugoslav wars as part of a second- or third-year undergraduate comparative thematic module, what are the essentials I’ve needed to get across in order for them to be able to engage with the theme and appreciate what this one case adds to their broader understanding? And what kinds of readings have colleagues in anthropology, sociology, or languages and literatures asked me about? I need to draw on all these experiences in order to work out what to include, and that involves thinking about how learners are likely to build up the ‘scaffolding’ of their knowledge about the Yugoslav wars.
I’ve hesitated to talk about the book on public social media (blogging and Twitter) until I was happy with the progress of the first draft, though I did post about it on Facebook after it was under contract. I’ve now been able to write very preliminary first drafts of the first four chapters – on the long-term history of the region and Yugoslav unification; on the Yugoslav crisis in the 1980s; the war in Croatia; and the Bosnian conflict – which in many ways are also the most difficult, since these topics are precisely where the most extensive debates have been. All of them still need some tightening of phrasing, expansion of some references to the literature, and (the frightening part) some shortening of the word count, but I need to get the remaining chapters drafted before I can do that. The question I’m still asking when I go over some of these sections is: what do I still need to put in to make this an account that only I could have written, at only this time? It’ll all get there in the end – it has before – but this early in the process, not everything is jumping off the page the way I’d like it to.
(Also, people just keep writing things. One of the books I’m most looking forward to being able to discuss, Florian Bieber/Armina Galijaš/Rory Archer’s edited volume Debating the End of Yugoslavia, isn’t out until October, and that’s not the only case like that…)
Starting to draft this book has thrown up some interesting theoretical questions about how we narrate and arrange history, which I’d quite like to explore further after the book itself is done.One thing the reader needs to be able to understand is anti-essentialist approaches to nationalism and ethnicity, which in many ways inform a lot (though clearly not all) of the more recent research. It makes a difference to say that ‘the Croats’, as opposed to let’s say ‘the Croatian Democratic Union’ or ‘the President of Croatia’ or ‘the inhabitants of Dubrovnik’ or ‘the 1st Guards Brigade of the Croatian Army’, did something, perhaps especially when talking about war. I want to avoid my own writing reinforcing collectivist assumptions, but I also want the reader to be able to see why it makes a difference and what some of the implications of those different kinds of description might be. All of this takes words, and I don’t have many. It’s simply easier to say that ‘the Croats’ or ‘Croatia’ did this or that; expressing something more complex in the same level of brevity is much more difficult.
Another problem is that while I want the reader to be aware of critical and deconstructive approaches to the topic, I still need to equip a reader to be able to tell facts from fabrications – a particular issue with some aspects of the history of the Yugoslav wars, where deliberate misrepresentation has abounded. If I problematise interpretations of X, but state that Y unequivocally cannot be denied, where does my truth claim come from?
I want to try to make some of these difficulties transparent in the writing, so that I can be accountable for my own narrative choices: although it’s my responsibility to give the fairest overview of the material as well as to present an interpretation that will be innovative for this sector of the market, I am still making choices about how I organise, illustrate and retell the material. I face the same issues of narrativisation and periodisation whenever I design or redesign a module – something I discussed here last year when I blogged about two versions of my Yugoslavia module that I’ve offered final-year history undergraduates at Hull – but with a larger and more diverse readership and with the permanence of a printed book. Where, for instance, is the best place to cover the Slovenian war of independence in June-July 1991 – together with the 1980s crisis? Together with the Homeland War in Croatia, which began at the same time yet lasted until 1995? In a lecture or a chapter of its own?
If I’ve got early first drafts of these four chapters (and I do say early: one of their conclusions still has a note on which reads ‘FINISH AND LINK INTO BEGINNING OF NEXT CHAPTER’), it puts me over the halfway point for a draft of the whole volume, just. (Kristen Ghodsee, the author of several books on the anthropology of postsocialism, recently blogged about her own ten-step process for writing a book; my workflow isn’t identical, but the ‘crappy first drafts’ stage is definitely something it shares.) The plan is to finish drafting by July, use July and August for getting it ready enough to show to some colleagues, and redraft in the autumn, interweaved with editing the first draft of the edited volume on gender that I’m also working on. The manuscript needs delivering by December.
And then in about a year’s time after that, if all goes well, I’ll be able to start using it in class, and if you’re an instructor or student then so might you…
Call for papers, edited volume
Gender in Twentieth-Century Eastern Europe and the Soviet Union
Edited by Catherine Baker
This call for papers seeks contributors to an edited volume (c. 80,000 words) on the gendered histories of eastern Europe and the former Soviet Union during the twentieth century, aimed primarily at an undergraduate/taught postgraduate readership. Drawing on current research into a broad range of societies and experiences within the scope of the volume, it aims to explore whether or how far the course of the twentieth century has made it possible to speak of a common history of gender in this part of the world. Since the early 1900s, the region has witnessed the collapse of multinational empires into nation-states; the human devastation and divided legacies left by the Second World War and the Holocaust; the transformation of society and the economy under Communist power, and the divided legacies that this too has left behind; the break-up of the Warsaw Pact bloc and the remaining federations into nation-states that were to be remade in the image of a democratic, free-market ideal. Yet these grand narratives of transformation and transition risk obscuring divergences and specificities that historians of gender may also need to take into account.
Contributions may focus on one country or may have a broader comparative scope, but all proposals should indicate how the material can contribute to an understanding of the region as a whole. The coverage of the volume will be balanced across the time frame of the twentieth century and the region under consideration. Proposals are welcome regarding any part of the east European region or the former USSR. A major UK publisher has expressed interest in publishing the volume as a paperback, subject to successful completion of their review process.
Aspects that might be discussed within essays include, but are not limited to:
- Borderlands and the question of ‘national indifference’
- Childhood and youth
- The Communist revolutions and takeovers
- Communist parties in power
- Consumption, the home and everyday life under state socialism
- Feminism and other activist movements
- Interactions between the region and the rest of the world, including the Global South
- Labour, postsocialism and neoliberalism
- Oral history and memory
- Popular culture and the media
- Refugees and humanitarian relief
- Reproductive and sexual politics
- Queer and trans* histories
- Security and surveillance
- Socialist approaches to gender in theory and practice
- War and the military, including female participation on the front line
- War memory and commemoration
- Intersections of gender with other power relationships
Please send an abstract of 300–500 words to Catherine Baker (University of Hull) at firstname.lastname@example.org by Sunday 13 October 2013. Proposals will be reviewed immediately and notification will be made by the end of October 2013. Draft papers are likely to be due in July 2014. As part of preparing the book I hope to organise related conference panels e.g. at ASEEES in November 2014, although being able to attend a conference is not a requirement for taking part.
An essay in Roland Barthes’s book Mythologies (1957), a landmark in the study of myths and symbols in Western industrial societies, uses the image of a black soldier in French military uniform saluting, probably towards the national tricolour, on the cover of Paris-Match. Barthes interpreted the image as signifying something of much more social and collective significance beyond the photograph of the individual man: ‘that France is a great Empire, that all her sons, without any colour discrimination, faithfully serve under her flag, and that there is no better answer to the detractors of an alleged colonialism than the zeal shown by this Negro in serving his so-called oppressors’ (p. 115, 1972 trans.).
I was reminded of Barthes’s discussion of the black soldier’s photograph recently on reading a new book by Vron Ware, Military Migrants: Fighting for YOUR Country (2012), on the recruitment of thousands of Commonwealth soldiers, mostly people of colour, into the British military since 1998. Her book, which has much to say about British nationalism and war memory as well as the cultures of the military itself, begins with a vignette from 2010’s public commemoration of the Armistice Day silence in Trafalgar Square (a new commemorative ritual instituted by the Royal British Legion in 2006). At this ceremony, the end of the two minutes’ silence was signalled by a video reel containing images of politicians, celebrities and wounded soldiers. Among them was the Royal Marine Commando veteran Ram Patten, who had founded a fundraising march after being diagnosed with Post-Traumatic Stress Disorder: ‘But for the vast majority, he was likely to be a symbolic figure performing another role […] He appeared to be an ordinary serviceman doing his job, but he was also black’ (p. xiii).
Ware’s argument weaves together official understandings of British national identity in recent years – covering the defence reforms of the first New Labour government, the requirement on the military to fight wars of counter-insurgency in Iraq and Afghanistan, and the drive for national ‘cohesion’ after the 7/7 bombings in 2005 – with an in-depth account of soldiers’ experiences through recruitment, selection and service. Governmental multiculturalism and the practices of equality and diversity management produced a demand that the composition of the military should reflect the ethnic balance of the country that it was supposed to defend. In practice, however, a significant amount of this visible diversity seems to have been provided by troops recruited from other countries in the Commonwealth, who became eligible to join the British military after a review of nationality issues for armed forces employment early in 1998.
Over the next ten years, until recruitment was curtailed by the 2008 financial crisis, the British Army would send dozens of Overseas Pre-Selection Teams to Commonwealth countries, concentrating on Fiji and the Caribbean. Soldiers’ motivations for joining up had much to do with their economic prospects at home and the opportunities to qualify in a trade during their Army contract, though a number found themselves re-routed to infantry regiments in need of extra troops before their foreign deployments – at a greater rate, Ware suggests, than UK recruits who had also expressed preferences for a different corps. Ware’s interviews and focus groups with soldiers from UK and Commonwealth backgrounds and a range of ranks explore how the military’s new diversity policies were implemented, or sometimes undermined, in practice – and how immigration policies coming from a different part of the state could seriously affect the lives of migrant soldiers and their families.
Reading the book, I rather wished Military Migrants had existed when I began working for the Languages at War project in 2008. During this project, I developed the interest in language intermediaries’ work which has since developed into a longer-term interest in the socio-economic impact of international intervention and peacebuilding, and also interviewed approximately 15 British soldiers about their experiences of language support during the UN/NATO peace operations in 1990s Bosnia. (Some of this material has appeared in my articles, and is rounded up in a new co-authored book, Interpreting the Peace.) There are several more research questions and interview questions we could have taken further with the help of this book.
Some of them relate to the military’s understandings of ‘culture’, which we did explore, particularly in the first edited volume that came out of the project, also called Languages at War. As Ware describes, the so-called ‘cultural turn’ in response to counter-insurgency turned ‘awareness’ of the culture of foreign populations into a military asset, supported through training exercises in simulated Iraqi/Afghan villages, through information cards and apps, and in the US case with the controversial incorporation of social scientists into military ‘human terrain’ teams:
Cultural knowledge was seen as something that could be learned and preferably kept in the pocket in the event of face-to-face encounters with local people. These measures were replicated in some of the NATO forces which began systematically to acquire linguistic and cultural expertise. (Ware, p. 117)
Language, in the words of a new article (£) by Vicente Rafael, was ‘weaponized’ in order to fulfil military objectives. There are precedents for this ‘cultural turn’ in the – initially rushed and improvised – training for troops deploying to Bosnia and Kosovo that several interviewees for Languages at War retold, and in the handbooks and phrase books developed by the Allies in preparation for the liberation of Western Europe in 1944, discussed in this (currently free) article by Hilary Footitt. ‘Heritage speakers’ – troops whose ethnic background has given them knowledge of languages required by the military (in this case Arabic, Pashtu and Dari) – have experienced even greater difficulties during the War on Terror than in previous operations, yet simultaneously have never been so valuable to their commanders.
Military Migrants, however, prompts me to ask more about ‘the concept of culture as something that had to be “managed”‘ (p. 114). I’d like now to have pursued it in more depth during my interviews with British soldiers. Was the concept as it manifested in the 2000s one of the ‘lessons learned’ through peacekeeping deployments in Croatia, Bosnia and Kosovo? Did it go back further still – perhaps, as Brendan Simms suggested in Unfinest Hour (2002), to the military’s explanation for the conflict in Northern Ireland – and structure the way in which the military made sense of ethnopolitics in the former Yugoslavia? Should I be looking to ‘the dubious theory of martial races’ (Ware, p. 121), that is, the colonial belief that certain groups such as the Gurkhas, the Zulus and the Ashanti had inherent racial characteristics that made them suitable as soldiers, as a direct antecedent of contemporary cultural essentialism in the military? Although I’ve discussed foreign understandings of ethnic identities in Bosnia in some depth during one chapter of Interpreting the Peace, I feel now I could have said more about the history of British military culture.
Military Migrants also makes me wish I had more data on hand about my own interviewees’ experiences of immigration procedures and border control. Ware achieves something that I also appreciated in Thomas Carter’s book In Foreign Fields: to ask what happens when we think about people such as sports professionals or soldiers as migrant workers, as well as thinking about the symbolic functions that the people in these occupational groups necessarily take on. ‘Foreign travel,’ she observes (p. 235), ‘is a basic premise of military work’ (a perspective I’ve tried to bear in mind when writing about soldiers’ interviews as the narratives of military travellers). In the case of Britain’s military migrants, the Ministry of Defence seems not to have thought through the visa implications that would arise when, for instance, non-UK soldiers were posted to Germany (where visits by a non-EU spouse would require a Schengen visa) or sent with a training team to a country with different entry regulations for citizens of their state. Tighter regulations for UK residency and citizenship caused the families of Commonwealth soldiers great anxiety. I didn’t ask systematically about migration experiences like these in my interviews, although sometimes they appeared (one Bosnian interpreter, visiting the UK as part of a group who were to participate in pre-deployment field exercises for soldiers, related problems at Heathrow because the MOD had not obtained the type of visa that the Home Office expected them to have). I’d like now to have asked much more about interpreters’ experiences and aspirations with migration and how far their jobs might have provided resources and contacts for settlement abroad.
The cuts to military recruitment after 2008 mean that the wave of Commonwealth recruitment may turn only into a statistical bulge, rather than an institutionalised practice on the scale and length of the recruitment of Gurkhas from Nepal. By the time Ware was interviewing successful recruits, the Overseas Pre-Selection Teams had already been wound down and potential recruits were now asked to travel to the UK for selection at their own risk. Military Migrants nonetheless illuminates a significant factor in contemporary British military history, and opens up new questions for thinking about the UK’s military past.